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But he anneals the cleansing fire with moments of startling tenderness, using compassion to shock viewers the way other directors wield the dark arts of sex and violence.Īs the movie opens, Mildred has not yet recovered from the sadistic rape and murder of her teenage daughter Angela, a crime that occurred seven months ago in the small Ozark mountain town of Ebbing. McDonagh, known for such operatically profane, extravagantly brutal exercises as " In Bruges" and " Seven Psychopaths," doesn't stint on his signature flourishes: "Three Billboards Outside Ebbing, Missouri" is as dark as they come, a pitch-black, often laceratingly funny look at human nature at its most nasty, brutish and dimwitted. His movie fuses naturalism and hysterically pitched theatricality with sometimes uneasy, but bracing results. Portrayed by Frances McDormand in a performance as ferocious and uncompromising as any of her career, Mildred turns out to be an alternately off-putting and deeply sympathetic guide through the world that writer-director Martin McDonagh creates. When the police fail to act, she rents three billboards to air her grievances.įor an avatar of our current cultural appetite for accountability, truth-telling and radical moral reckoning, we couldn’t possibly do better than Mildred Hayes, a grieving mother seeking justice and closure in “Three Billboards Outside Ebbing, Missouri.” I shall go forth and Google and see if anyone else agrees with me.Mildred (Frances McDormand) is a single mother grieving and feeling immense guilt over the rape and violent murder of her teenage daughter. Hopefully, it’s not just me having my doubts about whether “3B” is as great as so many believe it is. You’d best see it as it will win every award possible at the Oscars. Peter Dinklage, Amanda Warren and Lucas Hedges have superb moments.Īll the audience at Stratford East Picturehouse loved it, except for me. I guess critics and Academy members live in New York and Los Angeles and really don’t care about this.Ĭaleb Landry Jones is great.
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It’s off that so many of the attitudes on show here just don’t fit well into Missouri or North Carolina or into small town life in the USA. But lots felt familiar to me, from spending time in Ireland.Įven the interfering priest in “3B” feels like he belongs in another and more Irish film. These are not so loud or violent, in Ireland. My theory is that, given his Irish and English heritage, many of the attitudes on show in “3B” are exaggerated forms of those visible in Irish small town life. Martin McDonagh is a director and writer I adore and I have followed his work through theatre and film credits. I wish I didn’t feel that conservative Americans are loving this movie for all the wrong reasons. I suppose these are meant to explain where Dixon’s attitudes come from.Īs Dixon, Rockwell does the excellent job that he has done in so many roles, without the acclaim he is currently receiving. Sandy Martin does what she can with her truly dreadful lines. She jars and overacts terribly, within a brilliant and talented ensemble.ĭixon (Rockwell) is a racist who lives with his monstrous mother, Momma Dixon. But Cornish’s accent ranges across England from Surbiton to South London, with an occasional voice borrowed from “Gone With The Wind”. His wife, Anne (Abbie Cornish) is at least 20 years younger than him. Believing the police have given up, she buys three vacant billboards so as to provoke the police into investigating further.Ĭhief Willoughby (Woody Harrelson) is dying. Her daughter was raped and murdered, seven months earlier. Mildred Hayes (McDormand) is a grieving mother. There are lots of lines to laugh at, but these are not belly laughs or guffaws. So much casual racism, violence, misogyny and anger are slammed out, frame by frame. “Ebbing, Missouri” does not exist and Sylva, North Carolina (filming location) looks nothing like anywhere in Missouri. “Get Out” is a superior film about racism in America. “3B” features extraordinary performances from Frances McDormand and Sam Rockwell, but there is much to disturb the viewer, during the film and after the credits roll. “Three Billboards Outside Ebbing, Missouri” (“3B”) needs to be abbreviated as I am tired of typing movie titles with colons and commas in them. If you can’t handle unrelenting amounts of both, stay away.
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Swearing and violence run through this movie.